The Lexicon
Concentration
Concentration is the share of aromatic oils dissolved in a perfume's alcohol and water base. More oil generally means a richer, longer, costlier scent. Two honest caveats: there is no legal standard, so the same label can differ between houses, and the ranges overlap at the edges. Read this as a map, not a law.
The lightest wearable form. Mostly base with a whisper of oil, made to refresh rather than to last.
The classic bright splash of crisp citrus and herbs, applied generously. Here cologne is a strength, not a gender.
The everyday spray. Fresh and top note forward, and the most common designer format.
The modern default for niche and designer alike. A balance of strength and staying power.
The classic pure perfume tier. Dense and refined, and often worn close to the skin despite its strength. Parfum, Extrait and Extrait de Parfum all name the same thing.
A house's most intensified edition. Elixir is not a regulated concentration, so we group here the scents a brand markets as its strongest.
A format rather than a rung on the ladder. The composition is carried in oil and dabbed on, soft in projection and long on the skin. This includes traditional attars.
The first six are a strength ladder, lightest to strongest. Oil sits apart because it is a format, not a point on that ladder. And a word on projection, how far a scent radiates: it follows concentration only loosely. It depends far more on the specific materials and the base than on the percentage, which is why some extraits stay quiet and close while a light eau de toilette can fill a room. Treat projection as a tendency, not a promise.
Olfactive families
A fragrance family names the dominant character of a scent. Osmagora uses twelve, drawn straight from the two standards perfumery itself uses: the seven classic families of the Société Française des Parfumeurs (1912) and Michael Edwards' Fragrance Wheel, which groups them into four.
Read left to right as the wheel turns: fresh and sharp, into flowers, into warm amber, into deep woods. Neighbouring groups smell related; opposite ones contrast.
The classical reference
The founding classification splits seven families into detailed subdivisions. Structure and names follow the Société Française des Parfumeurs; the descriptions below are our own. Source: SFP.
Zests of bergamot, lemon, orange and mandarin, often lifted with orange flower. The home of the classic Eau de Cologne.
Built around a flower as the main theme: jasmine, rose, lily of the valley, violet, tuberose, narcissus.
Not literally a fern: a blend of lavender, wood, oakmoss, coumarin and bergamot.
Named for Coty's 1917 Chypre. Built on oakmoss, cistus, labdanum, patchouli and bergamot.
Warm, opulent woods such as sandalwood and patchouli, or dry ones like cedar and vetiver, usually under lavender-citrus tops.
Soft powdery notes, vanilla, cistus, labdanum and animalic warmth, with a dominant, enveloping aura.
Dry, sometimes very dry notes evoking leather: smoke, burnt wood, birch and tobacco, with floral tops.